Top 100 Songs of 2025: Billboard’s Official Year-End Hot 100 — Fully Ranked
Category: Music · Charts · Pop Culture Tags: #Billboard2025 #Hot100 #Top100Songs #BestSongs2025 #MusicCharts #LadyGaga #BrunoMars #KendrickLamar #SabrinaCarpenter #MorganWallen #BillboardHot100 #NewMusic2025 #TrendingSongs #StreamingHits #ViralSongs #PopMusic #HipHop #CountryMusic #RandB #LatinMusic #KPop #YearEndChart #MusicReview #Playlist2025 #Spotify2025 Keywords: top 100 songs 2025, Billboard Hot 100 2025, best songs 2025, year-end chart 2025, most popular songs 2025, Die with a Smile Lady Gaga Bruno Mars, Luther Kendrick Lamar SZA, A Bar Song Shaboozey, Birds of a Feather Billie Eilish, Espresso Sabrina Carpenter, Morgan Wallen 2025, Chappell Roan Pink Pony Club, Benson Boone Beautiful Things, Teddy Swims Lose Control, top hits 2025, music chart 2025, hit songs 2025, songs to listen to 2025, playlist 2025, new music 2025, trending songs 2025, number one songs 2025, best music 2025, viral songs 2025, Spotify top songs 2025, Apple Music top songs 2025 Published: December 10, 2025 Reading Time: ~12 minutes
What Was 2025 in Music? The Year Longevity Won.
Forget hype cycles. Forget overnight TikTok explosions that fizzle out in three weeks. If 2025 taught us anything about music, it’s this: staying power is the ultimate superpower.
According to Billboard’s official data, 11 of the top 12 songs on the Year-End Hot 100 were released before 2025 even began. Streaming algorithms, radio loyalty, and relentless social media replaying kept certain songs alive for months — sometimes over a year — past their release dates. The listeners voted with billions of streams, and the results are extraordinary.
At the top of it all? A duet that shattered 67 years of chart history. A rapper who won Grammys, headlined the Super Bowl, and briefly held the top three Hot 100 spots simultaneously. A pop star who placed five songs in a single year-end chart. And a country singer who, against all expectations, did it all again.
This is the complete, authoritative guide to every song that defined 2025 — all 100 of them, ranked, explained, and put into context. No fluff. No filler. Just music.
📊 The Numbers That Tell the Story
| Stat | Figure |
|---|---|
| Total songs ranked | 100 |
| Weeks the #1 song spent in the top 10 | 51 |
| Morgan Wallen entries | 9 |
| Sabrina Carpenter entries | 5 |
| Kendrick Lamar entries | 5 |
| Years of Hot 100 history broken by #1 | 67 |
🏆 THE TOP 10 — The Undisputed Anthems of 2025
#1 — “Die With a Smile” · Lady Gaga & Bruno Mars
There are No. 1 songs, and then there are historic No. 1 songs. This is the latter.
“Die With a Smile” didn’t just top the 2025 Billboard Year-End Hot 100 — it broke records that had stood for 67 years. It became the first-ever annual Hot 100 No. 1 duet by a female and male soloist each in lead roles in the chart’s entire history. It spent 51 weeks in the top 10 and appeared on the chart for 60 total weeks — both all-time records for a co-billed male/female duet.
It led the weekly Hot 100 for five weeks beginning in January, becoming Lady Gaga’s sixth #1 and Bruno Mars’ ninth. It also topped the year-end Streaming Songs and Radio Songs charts, and won Best Pop Duo/Group Performance at the Grammys. The ballad’s classic-pop production, theatrical vocals from Gaga, and Mars’ silky delivery created something that resonated across every generation, every platform, every playlist.
This was the song of 2025. By a mile.
#2 — “Luther” · Kendrick Lamar & SZA
Kendrick Lamar’s 2025 was unlike anything the rap world had seen in years. He won five Grammys for “Not Like Us” in February — including Record of the Year and Song of the Year. Then he headlined the Super Bowl halftime show. Then he briefly held the top three Hot 100 positions simultaneously. And through all of it, this collaboration with SZA — “Luther” — quietly became his biggest year-long achievement.
Named after the legendary R&B singer Luther Vandross, this track topped the year-end Hot R&B/Hip-Hop Songs and Hot Rap Songs charts. It’s soulful, introspective, and a reminder that when hip-hop and R&B find each other at their purest, the results are timeless.
#3 — “A Bar Song (Tipsy)” · Shaboozey
This song has now appeared on two consecutive year-end Hot 100 charts. What started as a country-hip-hop fusion that felt like an outlier in 2024 became one of the defining cultural phenomena of the modern chart era. Shaboozey’s “A Bar Song (Tipsy)” topped the year-end Hot Country Songs chart for a second year in a row — a record-matching feat of its own.
With over 19 weeks at #1 on the weekly Hot 100 in 2024, this track rewrote what country music could look like on a mainstream chart. Genre gatekeepers, take note: the listeners have already moved on.
#4 — “Lose Control” · Teddy Swims
Teddy Swims made his name with raw, aching soul wrapped in a pop sensibility that radio absolutely loved. “Lose Control” became his breakthrough moment — a slow-burning anthem of emotional surrender that climbed the charts with quiet consistency. It topped the 2024 Year-End Hot 100 before carrying its momentum deep into 2025’s tracking period, proving that genuine vocal ability and emotional songwriting never go out of style.
#5 — “Birds of a Feather” · Billie Eilish
From her HIT ME HARD AND SOFT era, “Birds of a Feather” is Billie Eilish at her most delicate and devastating. It’s a whisper-pop gem with a devastating emotional core — a meditation on love, loyalty, and the terrifying vulnerability of truly caring for someone. Billie’s ability to make vulnerability sound cool has never been sharper. This is one of 2025’s most emotionally resonant anthems and one of her finest recordings to date.
#6 — “Beautiful Things” · Benson Boone
The song that introduced the world to Benson Boone was a viral phenomenon before it was even a radio hit. A soaring, arena-ready pop ballad about the fear of losing something precious — “Beautiful Things” built its following organically through short-form video before crossing into mainstream radio dominance. Boone proved he isn’t a one-hit wonder by also placing at #37 and #47 on this same chart. Watch this space.
#7 — “Ordinary” · Alex Warren
Alex Warren emerged as Billboard’s Top New Artist of 2025, placing an astonishing five songs on the year-end list. “Ordinary” was his breakthrough — a heartfelt, emotionally rich track that topped the year-end Digital Song Sales chart after 12 weeks at #1 on the weekly sales ranking. In a year of streaming dominance, people were buying this song. That says everything.
#8 — “I Had Some Help” · Post Malone featuring Morgan Wallen
Country’s most unlikely crossover continued in 2025. Post Malone — formerly known for rap-rock and face tattoos — doubled down on his country pivot and brought Morgan Wallen along for the ride. The result was one of the year’s most radio-friendly smashes: a breezy, sun-soaked song about leaning on other people through failure. It was inescapable on country radio and mainstream pop alike.
#9 — “APT.” · Rosé & Bruno Mars
Bruno Mars appeared twice in the top 10 — a remarkable feat. Here, he teamed up with Rosé of BLACKPINK for one of 2025’s most unexpected hits. “APT.” is playful, flirtatious, and irresistibly catchy — a K-pop/pop crossover that showed just how porous the boundary between Korean and American pop has become. The song became a massive viral moment and helped cement the K-pop crossover as a permanent feature of the American mainstream.
#10 — “Pink Pony Club” · Chappell Roan
Chappell Roan’s rise is one of the great slow-burn stories in recent music history. “Pink Pony Club” was released years before it became a mainstream hit — a campy, theatrical, gloriously queer pop anthem that found its audience through sheer word-of-mouth and passionate fan devotion. By 2025, it was everywhere. Roan also placed “Good Luck, Babe!” at #31, making her one of the year’s most significant breakout stories.
🔥 #11–30: Certified Hits
| # | Song | Artist | Genre |
|---|---|---|---|
| 11 | Love Somebody | Morgan Wallen | Country |
| 12 | Espresso | Sabrina Carpenter | Pop |
| 13 | I’m the Problem | Morgan Wallen | Country |
| 14 | That’s So True | Gracie Abrams | Indie Pop |
| 15 | TV Off | Kendrick Lamar ft. Lefty Gunplay | Hip-Hop |
| 16 | Timeless | The Weeknd & Playboi Carti | R&B / Rap |
| 17 | Not Like Us | Kendrick Lamar | Rap · Grammy SotY & RotY |
| 18 | Just in Case | Morgan Wallen | Country |
| 19 | Taste | Sabrina Carpenter | Pop |
| 20 | Squabble Up | Kendrick Lamar | Hip-Hop |
| 21 | 30 for 30 | SZA & Kendrick Lamar | R&B / Hip-Hop |
| 22 | Mutt | Leon Thomas | R&B |
| 23 | Good News | Shaboozey | Country |
| 24 | Nokia | Drake | Hip-Hop |
| 25 | Golden | Huntrix | Pop |
| 26 | Wildflower | Billie Eilish | Indie Pop |
| 27 | What I Want | Morgan Wallen ft. Tate McRae | Country-Pop |
| 28 | Messy | Lola Young | Alt-Pop |
| 29 | Stargazing | Myles Smith | Indie |
| 30 | Love Me Not | Ravyn Lenae | R&B |
Standout moments in this tier:
“Espresso” (#12 — Sabrina Carpenter) was the global pop moment of 2025. Sassy, effortlessly catchy, and practically impossible to get out of your head — it became a worldwide phenomenon and the gateway for Carpenter’s unprecedented five-song year-end showing. It is to 2025 what “As It Was” was to 2022.
“Not Like Us” (#17 — Kendrick Lamar) won Record of the Year AND Song of the Year at the 2025 Grammys. Then Kendrick performed it at the Super Bowl halftime show. The cultural one-two punch sent it flying back to #1 on the weekly chart in February.
“That’s So True” (#14 — Gracie Abrams) was one of the year’s sweetest surprises — a quietly devastating indie-pop breakup song that spread through TikTok like wildfire before becoming a genuine mainstream hit. Abrams’ star-in-the-making status is now fully confirmed.
“Messy” (#28 — Lola Young) and “Stargazing” (#29 — Myles Smith) represent the ongoing British alt-pop invasion — both artists building enormous American audiences through streaming platforms and sync placements.
⭐ #31–60: The Year’s Essential Tracks
| # | Song | Artist | Genre |
|---|---|---|---|
| 31 | Good Luck, Babe! | Chappell Roan | Indie Pop |
| 32 | No One Noticed | The Marías | Dream Pop |
| 33 | All the Way | BigXthaPlug ft. Bailey Zimmerman | Hip-Hop / Country |
| 34 | Too Sweet | Hozier | Folk-Rock |
| 35 | Worst Way | Riley Green | Country |
| 36 | Sailor Song | Gigi Perez | Folk-Pop · TikTok Viral |
| 37 | Sorry I’m Here for Someone Else | Benson Boone | Pop |
| 38 | Manchild | Sabrina Carpenter | Pop |
| 39 | Anxiety | Doechii | Hip-Hop / R&B |
| 40 | I Got Better | Morgan Wallen | Country |
| 41 | Sticky | Tyler, the Creator ft. GloRilla, Sexyy Red & Lil Wayne | Hip-Hop |
| 42 | Undressed | Sombr | Alt-Pop |
| 43 | I Never Lie | Zach Top | Country |
| 44 | Back to Friends | Sombr | Alt-Pop |
| 45 | Bed Chem | Sabrina Carpenter | Pop |
| 46 | Sports Car | Tate McRae | Pop |
| 47 | Mystical Magical | Benson Boone | Pop |
| 48 | Whatchu Kno About Me | GloRilla & Sexyy Red | Hip-Hop |
| 49 | Indigo | Sam Barber ft. Avery Anna | Country |
| 50 | Please Please Please | Sabrina Carpenter | Pop |
| 51 | DTMF | Bad Bunny | Latin |
| 52 | Blue Strips | Jessie Murph | Country |
| 53 | Peekaboo | Kendrick Lamar ft. AzChike | Hip-Hop |
| 54 | Your Idol | Saja Boys | K-Pop / Viral |
| 55 | High Road | Koe Wetzel ft. Jessie Murph | Country |
| 56 | Abracadabra | Lady Gaga | Pop / Dance |
| 57 | Who | Jimin | K-Pop |
| 58 | Burning Blue | Mariah the Scientist | R&B |
| 59 | All I Want for Christmas Is You | Mariah Carey | Holiday Classic |
| 60 | Daisies | Justin Bieber | Pop |
Standout moments in this tier:
“Sailor Song” (#36 — Gigi Perez) was 2025’s quiet TikTok miracle. A stripped-back, haunting folk-pop track that accumulated billions of listens through short-form video and playlist placements. Nobody predicted it. Everyone loved it.
“Sticky” (#41 — Tyler, the Creator) brought together GloRilla, Sexyy Red, and Lil Wayne for one of the most chaotic, joyful hip-hop posse cuts of the year. Pure flex.
“Abracadabra” (#56) showed Lady Gaga had even more range than just the ballad that dominated 2025 — this dance-floor banger proved she can conquer multiple lanes in a single year.
Mariah Carey’s “All I Want for Christmas Is You” (#59) needs no explanation. It has now charted on six consecutive year-end lists. It is, at this point, not a song — it’s an institution.
Jimin’s “Who” (#57) and the Saja Boys at #54 mark one of K-pop’s most successful years of US chart crossover, continuing the trail blazed by BTS.
💿 #61–100: Deep Cuts & Hidden Gems
| # | Song | Artist | Genre |
|---|---|---|---|
| 61 | Soda Pop | Saja Boys | K-Pop |
| 62 | Like Him | Tyler, the Creator ft. Lola Young | Hip-Hop |
| 63 | Residuals | Chris Brown | R&B |
| 64 | Smile | Morgan Wallen | Country |
| 65 | Last Christmas | Wham! | Holiday Classic |
| 66 | Am I Okay? | Megan Moroney | Country |
| 67 | Rockin’ Around the Christmas Tree | Brenda Lee | Holiday Classic |
| 68 | How It’s Done | Huntrix | Pop |
| 69 | Happen to Me | Russell Dickerson | Country |
| 70 | Baile Inolvidable | Bad Bunny | Latin |
| 71 | Weren’t for the Wind | Ella Langley | Country |
| 72 | I Ain’t Comin’ Back | Morgan Wallen ft. Post Malone | Country |
| 73 | Cry for Me | The Weeknd | R&B |
| 74 | Bad Dreams | Teddy Swims | Soul |
| 75 | Denial Is a River | Doechii | Hip-Hop |
| 76 | BMF | SZA | R&B |
| 77 | Eoo | Bad Bunny | Latin |
| 78 | I’m Gonna Love You | Cody Johnson & Carrie Underwood | Country |
| 79 | I Am Not Okay | Jelly Roll | Country / Rock |
| 80 | Backup Plan | Bailey Zimmerman & Luke Combs | Country |
| 81 | Jingle Bell Rock | Bobby Helms | Holiday Classic |
| 82 | Revolving Door | Tate McRae | Pop |
| 83 | What It Sounds Like | Huntrix | Pop |
| 84 | Hard Fought Hallelujah | Brandon Lake & Jelly Roll | Gospel / Country |
| 85 | Somebody Loves Me | PartyNextDoor & Drake | R&B / Rap |
| 86 | Liar | Jelly Roll | Country |
| 87 | Tu Boda | Óscar Maydon & Fuerza Regida | Regional Mexican |
| 88 | After All the Bars Are Closed | Thomas Rhett | Country |
| 89 | Nuevayol | Bad Bunny | Latin |
| 90 | 20 Cigarettes | Morgan Wallen | Country |
| 91 | Rather Lie | Playboi Carti & The Weeknd | Hip-Hop / R&B |
| 92 | Free | Ejae & Andrew Choi | Pop |
| 93 | Takedown | Huntrix | Pop |
| 94 | Heart of a Woman | Summer Walker | R&B |
| 95 | House Again | Hudson Westbrook | Country |
| 96 | Dark Thoughts | Lil Tecca | Hip-Hop |
| 97 | No Pole | Don Toliver | Hip-Hop |
| 98 | Folded | Kehlani | R&B |
| 99 | Superman | Morgan Wallen | Country |
| 100 | Loco | Netón Vega | Regional Mexican |
Standout moments in this tier:
Morgan Wallen at #64, #72, #90, and #99 — yes, four songs in this tier alone. Combined with his #8, #11, #13, #18, and #40 placements, Wallen placed more total songs on the year-end Hot 100 than any other artist. He also topped the Hot 100 Artists year-end recap for the second time in three years.
“Tu Boda” (#87) and “Loco” (#100) signal the growing force of Regional Mexican music on mainstream American charts — a genre that was virtually invisible on the Hot 100 just five years ago.
“Hard Fought Hallelujah” (#84 — Brandon Lake & Jelly Roll) is the year’s most surprising entry: a gospel-country hybrid that crossed faith-based audiences into the mainstream Hot 100. Jelly Roll continues to defy every expectation of what a chart artist looks like.
Huntrix (the group of Ejae, Audrey Nuna, and Rei Ami) placed four songs on this year-end chart — #25, #68, #83, and #93 — making them one of 2025’s most quietly dominant acts in the catalog-streaming space.
🎤 The Dominant Artists of 2025 — By the Numbers
Morgan Wallen — 9 entries
#8, #11, #13, #18, #40, #64, #72, #90, #99
The undisputed king of the year-end chart by volume. Named Billboard’s Top Hot 100 Artist for the second time in three years. His songs are consistent, relatably emotional, radio-perfect country that appeals from small towns to suburban streaming queues. Love him or debate him — nobody moves the charts like he does.
Kendrick Lamar — 5 entries (plus Grammy wins + Super Bowl)
#2, #15, #17, #20, #21, #53
The most culturally dominant artist of 2025. Grammy Record of the Year. Grammy Song of the Year. Super Bowl halftime headliner. Three simultaneous top-10 Hot 100 entries in the same week. SZA collaboration at #2 on the year-end chart. No artist had a bigger moment in 2025 — even if Wallen had more chart entries by volume.
Sabrina Carpenter — 5 entries
#12 (Espresso), #19 (Taste), #38 (Manchild), #45 (Bed Chem), #50 (Please Please Please)
The defining pop star of her generation right now. “Espresso” was the global anthem of the year. Carpenter’s ability to place five distinct songs on a single year-end chart — without a single filler entry — is a rare feat. She is a fully formed pop force with staying power.
Benson Boone — 3 entries
#6 (Beautiful Things), #37 (Sorry I’m Here for Someone Else), #47 (Mystical Magical)
The breakthrough artist who proved he wasn’t a one-hit wonder. Three distinct chart entries in a single year signals a genuine long-term artist career, not a viral flash-in-the-pan.
Bad Bunny — 4 entries
#51 (DTMF), #70 (Baile Inolvidable), #77 (Eoo), #89 (Nuevayol)
The undisputed king of Latin music continues to appear on every year-end list. Four entries — all from his Spanish-language catalogue — prove the Hot 100’s English-language dominance continues to erode. This is the globalization of American pop culture in real time.
SZA — 3 entries
#2 (Luther with Kendrick), #21 (30 for 30 with Kendrick), #76 (BMF)
Two of SZA’s three year-end entries are collaborations with Kendrick Lamar — a dynamic duo that may have just entered Hall of Fame conversation. SZA’s SOS album also set the all-time record for weeks at #1 on the Top R&B/Hip-Hop Albums chart in 2025.
Lady Gaga — 2 entries
#1 (Die With a Smile), #56 (Abracadabra)
Two entries. Two completely different sounds. One historic year.
Jelly Roll — 3 entries
#79 (I Am Not Okay), #84 (Hard Fought Hallelujah), #86 (Liar)
Country-rock’s most unlikely superstar continues to grow his mainstream footprint. Three year-end entries across country, gospel, and rock crossover territory show his enormous versatility and fanbase loyalty.
📈 Key Trends & Insights: What 2025 Told Us About the Music Industry
1. Longevity Over Virality
The old model was: release, spike, disappear. The 2025 model is: release, build, sustain. With 11 of the top 12 year-end songs released before 2025, the data conclusively proves that streaming algorithms, Spotify editorial playlists, and TikTok’s discovery loops now function as a slow-release engine that can keep songs alive for 12–18 months. Artists and labels who understand this are winning. Those chasing quick peaks are losing.
2. Genre Fusion Is the Dominant Sound
Country-hip-hop. Folk-pop-viral. K-pop crossover. Gospel-country. Latin-mainstream. Every major hit in 2025 that broke from its home genre outperformed songs that stayed inside traditional category walls. “A Bar Song (Tipsy)” is the purest example: it shouldn’t have worked by conventional rules. It became one of the all-time chart giants.
3. Collaboration Is a Strategy, Not a Bonus
Look at the top of the chart: Lady Gaga & Bruno Mars (#1), Kendrick Lamar & SZA (#2), Rosé & Bruno Mars (#9), Post Malone ft. Morgan Wallen (#8). The biggest songs of 2025 were nearly all collaborations. In an era of fragmented audiences, collabs function as audience mergers — bringing two fanbases into the same stream at once. This is now core chart strategy.
4. Women Are Dominating the Sound
Sabrina Carpenter with five entries. Billie Eilish with two top-30 placements. Chappell Roan with two entries including a top-10 finish. SZA with three entries. Doechii rising fast at #39 and #75. Tate McRae, Gracie Abrams, Gigi Perez, Lola Young, Ravyn Lenae, Megan Moroney. The women of 2025’s Hot 100 aren’t just represented — they’re defining the sound, the aesthetic, and the emotional vocabulary of mainstream music.
5. K-Pop Has Crossed Over for Good
Rosé (#9), Jimin (#57), and the Saja Boys (#54, #61) — K-pop acts now place in the top 100 without needing a traditional radio rollout. They enter through streaming and fandom coordination, then hold their positions through sheer repeat plays. This is no longer a novelty. It is a permanent feature of the American chart landscape.
6. Regional Mexican Music Is Arriving
“Tu Boda” (#87) and “Loco” (#100) are the highest year-end placements for Regional Mexican acts in Hot 100 history. Fuerza Regida and Netón Vega represent a genre that has been thriving on its own charts for years and is now breaking through to general-market audiences. This will accelerate.
7. Holiday Songs Are Officially Indestructible
Mariah Carey (#59), Wham! (#65), Brenda Lee (#67), Bobby Helms (#81). Four songs that were recorded between 1958 and 1994 are all inside the top 100 most-consumed songs of 2025. Nostalgia, algorithmic recurrence, and cultural ritual have made these songs functionally immortal on streaming platforms. No other entertainment medium achieves this kind of multi-generational grip.
🗂️ Genre Breakdown — 2025 Year-End Hot 100
| Genre | Songs in Top 100 | Notable Artists |
|---|---|---|
| Pop | 28 | Lady Gaga, Sabrina Carpenter, Benson Boone, Billie Eilish |
| Country | 26 | Morgan Wallen, Shaboozey, Jelly Roll, Riley Green |
| Hip-Hop / Rap | 22 | Kendrick Lamar, Drake, Tyler the Creator, GloRilla |
| R&B / Soul | 14 | SZA, Teddy Swims, The Weeknd, Mariah the Scientist |
| Latin | 7 | Bad Bunny, Fuerza Regida, Netón Vega |
| Indie / Alt-Pop | 9 | Chappell Roan, Hozier, The Marías, Myles Smith |
| K-Pop | 4 | Rosé, Jimin, Saja Boys |
| Holiday | 4 | Mariah Carey, Wham!, Brenda Lee, Bobby Helms |
🏅 Records Broken in 2025
- “Die With a Smile” — first annual Hot 100 No. 1 duet by a female and male soloist in lead roles in 67 years of chart history
- “Die With a Smile” — most weeks in the top 10 (51) and most total weeks on the chart (60) for any co-billed male/female duet in Hot 100 history
- SZA’s SOS — longest-running #1 album in the history of the Top R&B/Hip-Hop Albums chart (surpassing Michael Jackson’s Thriller)
- Kendrick Lamar — only artist to hold the top three Hot 100 positions simultaneously in 2025
- Mariah Carey — “All I Want for Christmas Is You” has now appeared on six consecutive year-end Hot 100 charts
🔍 Related Searches
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Final Word: Save This List
2025 was a year of records shattered, genres blurred, and artists who played the long game winning everything. Lady Gaga and Bruno Mars made history. Kendrick Lamar had the year of his life. Sabrina Carpenter became a global superstar. Morgan Wallen dominated in sheer volume. And somewhere between a TikTok folk song at #36 and a Regional Mexican track at #100, American music quietly became the most diverse, the most global, and the most genre-fluid it has ever been.
Bookmark this list. Share it. Build your playlist from it. And come back next December — because 2026 is already being written.
Data sourced from Billboard’s official Year-End Hot 100 Singles of 2025, published December 9, 2025. Tracking period: October 26, 2024 – October 18, 2025. All chart positions reflect aggregated streaming, radio airplay, and sales data compiled by Luminate.
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